Tributary Stu
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Movies of the Week #32 (2024)
28 Days Later… (2002): It’s funny to consider that the previous collaboration between Danny Boyle and Alex Garland was the absolute mess of a film known as The Beach (2000). With 28 Days Later, the two set the zombie world afire, giving it life and direction for the twenty years that were to come. And… Read more
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Movies of the Week #31 (2024)
The Mask (1994): This movie is so idiosyncratic that it stands out through this alone. Probably my favourite “silly” Jim Carrey performance, “The Mask” is one of the most cartoonish movies you will ever come across. It’s a product of its time, but I think a mostly honest and heartfelt story about a lonely nice… Read more
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Movies of the Week #30 (2024)
Parasite (2019) was screened at a recent event, offering a refreshing take on the “eat the rich” theme. The film impressed with its web of ambition and deceit, despite a questionable epilogue. Huesera: The Bone Woman (2022) delivers solid scares and a compelling storyline, marred only by its adherence to genre tropes. Island of Lost… Read more
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Movies of the Week #29 (2024)
Return of the Living Dead (1985): I’m surprised I’ve only written about this once, given that I watch it every couple of years. It is guaranteed to bring nostalgia joy, memories of a time before my time where campy movies had an authenticity to them that so many modern productions try to recreate if not… Read more
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Movies of the Week #28 (2024)
Bastarden (2023): I’m a simple man, I see Mads Mikkelsen, I click like. Bastarden (The Promised Land) might have a familiar plot, but it is exceptional in its execution. The key to Ludvig Kahlen’s ambition of becoming a reputable man in 18th century Denmark lies in his ability to set up a thriving business in… Read more
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Ceau, Cinema! (2024): Croissant Protocol
A film enthusiast’s journey led to an upcoming exhibit in Timişoara featuring Boryana Ilieva’s intricate illustrations of iconic film houses. The exhibit, “Houses in Films,” will be unveiled on July 17th, followed by a talk on creative processes and a screening of “Parasite.” The event promises to enhance viewers’ appreciation for film craftsmanship. Read more
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Movies of the Week #27 (2024)
I Am: Celine Dion (2024): My knowledge of Celine Dion pretty much starts and ends with Titanic. Sure, there are a handful of songs I know, but I’ve never had any particular interest in her as an artist or a person. After last year’s tough, but inspirational tales of chronic illness from Selma Blair and… Read more
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Movies of the Week #25 (2024)
In “Mrs. Buică”, the toxic dynamics of a Romanian couple are explored over the years. “Federer: Twelve Final Days” offers little new insight, while “Wicked Little Letters” lacks excitement despite a talented cast. Hannah Einbinder’s HBO special is a subversive take on comedy. “Avram Iancu Împotriva Imperiului” falls short, offering little beyond patriotism. Read more
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Eugene Buică’s Family Tale: A Raw and Unflinching Documentary | Review
The documentary chronicles the complex dynamics within Eugene Buică’s family over several years, capturing raw, unfiltered moments. It portrays the unvarnished reality of family discord, with Mr. and Mrs. Buică’s turbulent relationship at its core. The film delves into the moral ambiguity of human nature, presenting an unapologetic and discomforting portrayal of flawed characters and… Read more
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Movies of the Week #24 (2024)
Netflix’s “How to Rob a Bank” tells the story of Scott Scurlock, a notorious bank robber. While it introduces Scurlock in an interestingly unpredictable way, the film fails to fully explore the complex effects of crime. “Am I OK?” offers a poignant yet optimistic depiction of friendship amidst life changes. “Bad Boys: Ride or Die”… Read more
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Movies of the Week #23 (2024)
“Tangerine” (2015) and “Umberto D.” (1952) portray solitude and sacrifice, garnering critical acclaim. “Frequently Asked Questions About Time Travel” (2009) delivers a warm narrative despite flaws. “Bad Boys” (1995) falls short due to a convoluted plot, contrasting with the promising but lackluster “Boy Kills World” (2024). Each film has distinct qualities and shortcomings. Read more

