Week In, Week Out
Weekly collections of five mini-reviews capturing a wide range of films—old and new, obscure and iconic. A personal film journal in snapshots, offering quick, insightful takes on whatever’s been on the screen lately.
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Movies of the Week #43 (2025): Queer Histories, Lonely Teens, and Time-Slipping Love
This week’s movies cover identity, queerness, memory, and visibility—spanning experimental horror, impressionistic queer romance, and intimate documentaries. These five films explore inner lives and underrepresented communities, often through dreamlike or nonlinear forms. Jane Schoenbrun’s two films capture digital-age alienation and queer self-discovery with eerie minimalism and surreal flair. Fin de siglo meditates on time, love,… Read more
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Movies of the Week #41 #42 (2025): Love, Loss, and Leather
This week’s movies cover crumbling traditions, fraught relationships, and lingering discontent—whether it’s among aristocrats, friends, lovers, or sadomasochistic demons. Downton Abbey: The Grand Finale relies on familiar beats and soothing nostalgia, while The Ritual and Hellraiser (both helmed by David Bruckner) confront personal trauma through horror lenses, albeit with mixed success. Meanwhile, The Threesome and… Read more
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Movies of the Week #39 #40 (2025): Morality, Memory, and Mechanisms of Control
This week’s movies cover fractured identities and moral grey zones—from Minority Report’s faded futurism to The Guest’s synth-soaked menace, each film wrestles with perception versus truth. Major League injects levity into defiance, while Circle strips humanity to its mechanical core. Adulthood closes things out with flawed but heartfelt awkwardness, where family bonds meet guilt and… Read more
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Movies of the Week #38 (2025): Body Horror, Broken Love, and Creeping Transformations
This week’s movies cover the darker and stickier corners of horror, where love, identity, and grotesque transformation intertwine—sometimes humorously, often disturbingly. From Slither’s slimy metaphor for marital suffocation to Together’s subtle critique on codependency, relationships turn monstrous in different ways. Hellraiser and Grafted explore bodily corruption with varying success, while Tusk shows how tone can… Read more
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Movies of the Week #36 #37 (2025): From Nemo to Existential Dread
From animated oceans to ghost-infested homes, this week’s films explore how people navigate love, loss, and meaning. Finding Nemo is a heartfelt return to Pixar’s golden age, rich with emotional resonance and father-son tenderness. The Life of Chuck and On the Count of Three both flirt with mortality and memory, one quiet and poetic, the… Read more
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Movies of the Week #35 (2025): Dystopias, Pub Crawls & Poolside Nostalgia
This week’s selection explores how societies crumble or stagnate, from the bleak infertility nightmare of Children of Men to the ironic apocalypses in Edgar Wright’s Cornetto trilogy. Shaun of the Dead, Hot Fuzz, and The World’s End all tackle societal conformity in different guises—zombies, faux-idylls, or alien overlords—with humor, heart, and well-timed chaos. Snack Shack… Read more
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Movies of the Week #34 (2025): Family, Nostalgia, and Genre-Bending Risks
This week’s movies cover the uneasy balance between nostalgia, reinvention, and genre-bending risk. From the haunting yet slyly funny Weapons to the darkly sharpened humor of Addams Family Values, there’s a tension between tradition and daring. Gunn’s Superman tries hard to rekindle roots but feels manufactured, while While You Were Sleeping shows 90s romcoms could… Read more
Alden Ehrenreich, Amy Madigan, Anjelica Huston, Christina Ricci, Christine Baranski, Christopher Lloyd, David Krumholtz, James Gunn, Jane Cusack, Josh Brolin, Julia Garner, Peter Gallagher, Peter MacNicol, Raul Julia, Sandra Bullock, Superman, The Addams Family, The Addams Family Values, Weapons, While You Were Sleeping, Zach Cregger -
Movies of the Week #32 #33 (2025): Love, Violence, and Satire in the Digital Age
This week’s movies cover the wide spectrum of human (and possibly non-human) connection, from digital obsession to family friction, with diversions into satire and survival. Whether it’s Red Rooms’ unnerving portrayal of emotional detachment or A Nice Indian Boy’s heartwarming look at intergenerational vulnerability, these films all center around people trying—and often failing—to reach one… Read more
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Movies of the Week #31 (2025): Last(ish) Week at Ceau Cinema
This week’s movies cover shifting identities, personal reckonings, and the murky space between memory and perception. Whether it’s a family shaken by tragedy in Drowning Dry, a migrant uncle with unclear intentions in My Uncle Jens, or a dancer navigating her fate in The Polish Dancer, these stories explore how people adapt—or fail to—when faced… Read more
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Movies of the Week #29 #30 (2025): Punk Romance, Romania’s Football Fields & Sibling Revelations
This week’s movies cover misfits, reconnections, and underdogs—from punk-rock rebels to forgotten footballers and estranged siblings. Whether taking on sanitized societal norms or the sci-fi machinery of capitalism, these films echo the tension between how people are seen and who they actually are. Personal transformation, identity, and belonging ripple across genres—from lo-fi chaos to bittersweet… Read more
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Movies of the Week #27 #28 (2025): Fake Personas, Real Laughs, and Crumbling Societies
This week’s movies cover satirical excess, genre rehashes, and the fragile balance between comedy and commentary. Whether it’s Deep Cover’s delightful self-awareness or 28 Years Later’s faith-rooted apocalypse, each film explores versions of constructed identity—be it through undercover roles, survivalist personas, or public-facing image. Even F1: The Movie and The Dictator wrestle with illusion vs.… Read more
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Movies of the Week #26 (2025): Moral Lessons, Missed Beats, and One Very Sad Mouse
This week’s movies cover nostalgia, dystopia, and mid-air chaos, but all orbit the idea of control—over self, story, or setting. Whether it’s the magical determinism of The Green Mile or the forced sterility of The Assessment, these films wrestle with how much structure is too much. Sacramento and Nonnas lean heavily on formula, offering safety… Read more
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