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Movies of the Week #35 (2024)
Good Will Hunting (1997): One of those universally loved movies which pretty much everyone who watches movies has seen, GWH still plays as a fantastical story of genius boy who discovers therapy. I don’t imagine there is any other movie that has brought therapy so into the mainstream as this one, thanks in no small Read more
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Movies of the Week #34 (2024)
“Alien” (1979) remains a timeless sci-fi classic with exceptional build-up and otherworldly visuals. “500 Days of Summer” (2009) still holds its truth and quirks, striking a chord with its tongue-in-cheek honesty. “Saturday Night Fever” (1977) surprises with its deeper exploration of class, racism, and the American Dream. “Trap” (2024) and “Inside the Mind of a… Read more
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Movies of the Week #33 (2024)
“The Bee Gees: How Can You Mend a Broken Heart” is a beautifully assembled and culturally all-encompassing documentary that establishes The Bee Gees as influential and versatile. “Ghostlight” portrays a touching human-experience story, while “Alien: Romulus” is a solid addition to the saga, despite a let-down finale. “28 Weeks Later” offers solid scenes but falls… Read more
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Movies of the Week #32 (2024)
28 Days Later… (2002): It’s funny to consider that the previous collaboration between Danny Boyle and Alex Garland was the absolute mess of a film known as The Beach (2000). With 28 Days Later, the two set the zombie world afire, giving it life and direction for the twenty years that were to come. And Read more
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Movies of the Week #31 (2024)
The Mask (1994): This movie is so idiosyncratic that it stands out through this alone. Probably my favourite “silly” Jim Carrey performance, “The Mask” is one of the most cartoonish movies you will ever come across. It’s a product of its time, but I think a mostly honest and heartfelt story about a lonely nice Read more
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Movies of the Week #30 (2024)
Parasite (2019) was screened at a recent event, offering a refreshing take on the “eat the rich” theme. The film impressed with its web of ambition and deceit, despite a questionable epilogue. Huesera: The Bone Woman (2022) delivers solid scares and a compelling storyline, marred only by its adherence to genre tropes. Island of Lost… Read more
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Movies of the Week #29 (2024)
Return of the Living Dead (1985): I’m surprised I’ve only written about this once, given that I watch it every couple of years. It is guaranteed to bring nostalgia joy, memories of a time before my time where campy movies had an authenticity to them that so many modern productions try to recreate if not Read more
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Movies of the Week #28 (2024)
Bastarden (2023): I’m a simple man, I see Mads Mikkelsen, I click like. Bastarden (The Promised Land) might have a familiar plot, but it is exceptional in its execution. The key to Ludvig Kahlen’s ambition of becoming a reputable man in 18th century Denmark lies in his ability to set up a thriving business in Read more
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Ceau, Cinema! (2024): Croissant Protocol
A film enthusiast’s journey led to an upcoming exhibit in Timişoara featuring Boryana Ilieva’s intricate illustrations of iconic film houses. The exhibit, “Houses in Films,” will be unveiled on July 17th, followed by a talk on creative processes and a screening of “Parasite.” The event promises to enhance viewers’ appreciation for film craftsmanship. Read more
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Movies of the Week #27 (2024)
I Am: Celine Dion (2024): My knowledge of Celine Dion pretty much starts and ends with Titanic. Sure, there are a handful of songs I know, but I’ve never had any particular interest in her as an artist or a person. After last year’s tough, but inspirational tales of chronic illness from Selma Blair and Read more
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Movies of the Week #26 (2024)
The Bikeriders (2024) directed by Jeff Nichols is a star-studded movie that explores the motorcycle lifestyle and the origin story of a group of criminals. “Easy Rider” comes to mind, but it presents a mostly chill group with a bit of criminal inclination. Jodie Comer’s character leads us through the ups and downs. Inside Out… Read more
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Movies of the Week #25 (2024)
In “Mrs. Buică”, the toxic dynamics of a Romanian couple are explored over the years. “Federer: Twelve Final Days” offers little new insight, while “Wicked Little Letters” lacks excitement despite a talented cast. Hannah Einbinder’s HBO special is a subversive take on comedy. “Avram Iancu Împotriva Imperiului” falls short, offering little beyond patriotism. Read more
Movie micro-reviews and other stuff. A tributary to the big screen.
Because watching movies is cheaper than therapy.
Reviews & visual quotes — (almost) daily on all the socials.
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