Every once in a very long while, I actually post a full fledged movie review. Weekly, I post roundups of what I’ve seen. Even more frequently, check Instagram for quotes a quick-reviews. Read, discuss and, hopefully, find something you enjoy.
Twisted Yoga (2026) | The 20th Greatest Romanian
I am venturing off the beaten path and reviewing this Apple-produced mini-series, which could just as well have been a movie. Told in three parts, it takes the testimony of several women who were abused in the infamous cult of Gregorian Bivolaru, a Romanian yoga guru. I was young when Bivolaru was arrested in the…
Vampiru’ Zombi (2024) | Liminal Cinema
Vampiru’ Zombi stands out with its blend of art-house aesthetics and semi-fictional introspection, exploring themes of fatherhood, abandonment, and self-discovery. While some scenes feel surface-level, its raw, experimental essence captivates, showcasing Sebastian Mihăilescu’s brash minimalism and knack for blurring reality with fiction. A guerrilla triumph, it exemplifies liminal cinema’s ability to evoke meaning in chaos.
Evil Reimagined: George A. Romero’s Resident Evil (2025)
This documentary on Romero and Resident Evil offers a mixed experience. While it covers Romero’s influence and the origins of the Resident Evil series, its structure feels disjointed. The homage to Romero stands out, enriched by interviews, but the film struggles to balance commercial appeal with insightful storytelling. It’s intriguing yet familiar for fans.
Movies of the Week #44 (2024)
The “Twilight” series, despite its cultural impact, is critiqued for its lack of compelling storytelling and depth. Each installment reveals weak plots, awkward character dynamics, and underwhelming conflicts. The series is marked by a mix of decent performances and stylistic choices, yet ultimately reflects a disjointed narrative burdened by poor source material.
Clara: Social Issues and Character Struggles | Review
It feels like there’s an avalanche of Romanian movies descending over us during this year, with productions catering to all tastes – the dubious (Buzz House), the mainstream (Anul nou care nu a fost) and the art-house (Trei kilometri până la capătul lumii). Clara would probably fit in the latter. It is a distinctly European…
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