28 Years Later

This week’s movies cover satirical excess, genre rehashes, and the fragile balance between comedy and commentary. Whether it’s Deep Cover’s delightful self-awareness or 28 Years Later’s faith-rooted apocalypse, each film explores versions of constructed identity—be it through undercover roles, survivalist personas, or public-facing image. Even F1: The Movie and The Dictator wrestle with illusion vs.… Read more